Mixing a Live Band
We've covered how to set up a PA system, here's a couple of helpful pointers on how to blend a live band. A bad display mix can turn a great program into a dreadful one, and regretfully you'll be the very first to be blamed for the band not being able to hear each other. The simplest way to get a good screen mix is to set the levels of the instruments first, so whilst you're setting the kick drum level ask the band who wants to hear the kick drum through their screens.
Below is a list of exactly what musicians generally like in their displays, use this as a standard. If someone desires basically of something, they'll ask for it.
Generally the vocalist will also want to hear some guitar and perhaps some drums too. Remember, if you're using compression on the vocals make sure you do not include it on the screen mix as this can promote bad microphone method.
Guitarist: The guitarist will wish to hear other guitarists on stage; it's also extremely useful for them to be able to hear the vocalist. They may also desire the bass in there too.
Bassist: It's vital for a tight bassist to be able to plainly hear the drums, the bass drum in specific is very important.
Drummer: Drummers will desire everything in their mix. Usually with a little more guitar and vocals.
It's vital in any live situation that everyone can hear the vocals. They need to be critical in your mix, specifically in a small club. It's often the case that the guitar amp will be too loud and you'll only have the ability to hear the band. If possible try to get the entire band to decline permitting the vocals to come through clearly. Guitar players in particular can be fairly touchy about their sound and volume. Just remind the band that if they want to ruin their sound they're more than welcome!
A common enemy when mixing a live band is feedback. Feedback takes place when a loop types between an input and output source, commonly it can be a microphone and a monitor/speaker. Whilst it can be tricky to obtain rid of feedback entirely, there are a few things that can be done. If experiencing high feedback cut the high frequencies on the input and output source. You don't have to suffice excessive as this will leave the sound lifeless and the band will lose it's vibrant. The exact same chooses low feedback, cut the bottom end of the input and output source to help decrease the problem. When sound inspecting the band, experiment to see how high you can turn up the fader till you hear feedback.